Diane Mercer has been nominated 5 times for Primetime Emmys with 2 wins for “Breaking Bad” and for the PGA Awards, 4 nominations and 2 wins.
Her credits include: Better Call Saul, Enlisted, Breaking Bad, Notes from the Underbelly, The Apostles, Help Me Help You, Arrested Development, The Pool at Madd Breaker’s and On the Spot.
She is an immensely talented and well-acknowledged producer. Her experience and methodologies are shared on this week's episode and we couldn't be happier to have her enlighten our listeners.
Tune in this week as we explore what it's like contributing to some of the most widely watched and acclaimed shows on television. This episode describes the many disciplines behind what it's like being a producer and how one of the best in the business empowers the creative process.
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Supervising Sound Editor Greg Schorer's credits include NCIS: NOLA, NCIS, JAG, 8MM2, Traffic, Rough Riders, I Know What You Did Last Summer, Adrenalin, Fear The Rush, Cyber Bandits, Blood of the Innocent, Embrace of the Vampire, The Zone, Call Blooded, Shadow Warriors, Pointman, Texas, Judicial Consent, Rise and Walk, The Dennis Boyd Story, Quantum Leap, Gypsy, Stalin and White Winter Heat.
Greg discusses what it's like supervising some of the most long-running episodic titles in the industry. He describes his creative process and the development of the soundscapes he creates.
Join us this week as Greg describes working with clients, dealing with editorial, budgets, storytelling, and dictating the direction of sound as it pertains to the picture.
Bob Bronow has won and been nominated for a staggering amount of Primetime Emmy, C.A.S. and M.P.S.E. awards. His wins include 2 Primetime Emmy, 4 C.A.S. and 2 M.P.S.E awards.
Bob's credits include - The Family, The Undeniable Joe Buck, Deadliest Catch, Alaska Off Road Warriors, Storage Wars, Ax Men, American Hoggers, 1000 Ways to Die, Around the World in 80 Ways, The Colony, America’s Toughest Jobs, The Wrecking Crew, American Masters, Monster Garage, Monster House, Punkin Chunkin, The Great Biker Buildoff and many more.
Bob is an innovator and known by many to be a tech-savvy artist in the world of sound. His workflows in dealing with problematic sound elements on a daily basis is something of wonder. A true craftsman of sound that is as artistic in his approach as he is technical. Bob describes his approach at dealing with mixing, editing, and at times combating some of sound's most difficult elements.
Listen this week as we talk about how Bob uses tools like iZotope's RX, Waves, Avid ProTools and much more to assist him in storytelling.
So what's it like being a production sound mixer?
Join us this week as we discuss the many intricacies of the job with guest Phillip Palmer.
Philip is a multi-award winning mixer with credits including Wakefield, The Night Shift, Better Call Saul, Glee, American Horror Story, The Other Guys, Battle: Los Angeles, NCIS: LA, Angels and Demons, Swingtown, Star Trek, Jericho, National Treasure: Book of Secrets, Medium, Threshold and Entourage to name more than a few.
If you've ever had the question of what a production mixer is faced with or what difficulties they tackle on a daily basis, listen this week as we delve into the question of what it's like being a production sound mixer on some of the most well known television and feature titles to date.
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This week's episode features Sound Effects Editor Dave Barnaby. Dave describes what it's like being an artist in sound. Through sound libraries, raw recording, and unique sound palettes. Dave discusses what it's like editing for episodic television, feature film, documentary, gaming, and more.
Dave's signature sound is built off experience. In knowing what to choose, how to build, layer and organize each element, helps Dave produce sounds that have become key elements in such titles as Captain America, Cinderella Man, Angels & Demons, Guilt, Living in the Age of Airplanes, NCIS: New Orleans, Blue Mountain State, and many more.
Finding the right sound effect and knowing when to "choose" the right element is key to Dave's workflow. This week listen as we explore how to reverse-engineer sound through editorial and design.
Dave has worked at 740 Sound Design in Marina Del Rey - Danetracks commercial devision, Todd-AO and now Smart Post Sound.
If you like this podcast please make sure to rate, review, or share.
For more episodes visit us at http://smartcast.smartpostsound.com or #Subscribe on:
#iTunes - http://apple.co/1X4T6rd
#Stitcher - http://www.stitcher.com/s?fid=88488
#TuneIN #Radio - http://tun.in/phWnN
#GooglePlay - http://bit.ly/22hrH6e